News

Hi Everyone,

The RainWater LP is available today through all digital service providers!

If you already purchased through the pre-order on CitizenCope.com you should have
received an email by now with download instructions.

If not, AOL is hosting a listening party where you can stream the album in its
entirety.

This is a special album to Cope as it's the first release by his own label
RainWater Recordings.  Cope wrote the following explaining his decision to
release the album this way.

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It¹s a great pleasure to announce that after being signed to a major label
recording contract for the better part of 10 years, my obligations have been
fulfilled and my new recording, The RainWater LP, will be released on my own
label RainWater Recordings.
 
The practice of selling your intellectual property and likeness throughout
the Universe and in perpetuity (this means forever) in exchange for a
recoupable recording advance always seemed like an unfair business practice.
Regardless, artists have historically been forced to sign these contracts
because it was the dominant way to make, promote, and distribute music.
 
There are good people at record companies that love music and do a great
deal of good.  Unfortunately, contracts only follow people who sign them.
Staff sizes have been reduced, promotional dollars tightened, and the labels
are no longer properly equipped to develop acts, monetize catalog, or even
protect copyrights.  There isn't anybody home.
 
I¹ve been very fortunate to write, produce, and release music from my
point-of-view and have these projects funded by various record labels.  And
while their collective demise is unfortunate, the responsibility lies with
executives without ownership in their respective companies. A business that
should be artist driven is executive driven.  People with vision and who
dream will fill the void left by Majors.  People who love music and
understand its artistic and social value. Ones with long term goals not
quarterly profit concerns.
 
Some risk accompanies this decision.  First, there are the financial costs
associated with making an album: studio time, hiring players, mixing,
mastering, pressing CDs, hiring a publicist, radio promotion, etc.  Second,
I don't have "the machine" assisting the album¹s promotion and marketing.
Regardless, it's liberating to control both the way I'm represented and how
you receive the music.  I hope you in turn share the music with your
friends, make mention of its release on your blog, twitter, or simply
sing-along at my shows.
 
It was a joy to make the record.  I hope you enjoy it.  It's my favorite
alongside CGR.
 
One love.
 
Clarence